Tuesday, December 6, 2011

IDcs, Windows XP,

I am laying out a bilingual (German/English) catechism--a religious instruction book. So far I have 2 columns (page size 6x9). I need help in tying the English content to the german content. That is question %26amp; answer 1 anchored to German Thus far I am doing it manually. There has to be a way to do this faster. I can't find a way to copy and paste into this message. It would be easier to understand if I could paste the first page into this message. Oh well, perhaps someone might enjoy figuring this out. Thank youIDcs, Windows XP,
How about posting a screen capture on pixentral.com and putting a link here. That's one current approach for illustrating a problem like this.IDcs, Windows XP,
%26lt;a href=''http://www.pixentral.com/show.php?picture=14MG8Gvee5ySP1Lse9XWRmo2jH0k4z'' /%26gt;%26lt;/a%26gt;%26lt;img alt=''Picture hosted by Pixentral'' src=''http://www.pixentral.com/hosted/14MG8Gvee5ySP1Lse9XWRmo2jH0k4z_thumb.jpg'' border=''0'' /%26gt;%26lt;br /%26gt;Hope this works. Thanks for the information. Patricia
I take it that you are trying to align the headers for each question across the two language columns. I'm afraid I don't know of any automatic way to do this if the length of the text in the two columns for either the question or answer is different.

Peter
Why not use a table here? The usual reason 'against' is that usually, people want to have paragraphs broken over pages as well, which is not possible with tables -- entire rows are always kept together. But for this text it should be totally doable.
I think a table might work, but my biggest objection, aside from the usual I hate tables and they are a pain to set up, is that if the question text runs different lengths in the two languages and needs to wrap in one, but not the other, you'd wind up with extra space between the question that didn't wrap and its answer.
I think I can help you - I have two tools, one to convert Table to TextFrames - so text from ''cells'' will split to pages, and second to split cells across pages

here are links to example of Table2TFs:
http://www.adobescripts.com/images/BobWR.gif
http://www.adobescripts.com/images/Table2TFs.gif

contact me on priv

robin

--
www.adobescripts.com
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  • ID CS3 Windows - Missing Font,...

    I have a problem with Find Font (as many others on these boards seem to)... but not necessarily Arial Narrow. It happens in CS3 occasionally in documents that are picked up from existing documents and then modified (I work for a monthly trade magazine publisher).



    The problem we've seen with this issue is that occasionally a typeface will flag that it is missing, but if you go to the Find Font window it cannot find the first instance... and in the ''more info'' section it indicates that the character count used is 0, and the style count, styles, and pages lines are blank. The font usually shouldn't be in this document (meaning we own it and use it in other documents, but not this particular one), and there aren't any hidden/locked layers, and no unwanted/extra text boxes can be found (even if one uses the ''object find'' to find all the text boxes...



    It is beneficial for us to pick up the previous month's document when working on the next document, because all the settings are there (styles, color palettes, document-specific preferences, etc.) and, if there are multiple individuals working on these documents, it maintains title style integrity much easier than if individuals not familiar with the title are constantly having to start a fresh document. So... you see the conundrum.



    Any suggestions on the phantom nonexistent type? It wants to transfer itself to embed in PDF when we send to press, because the document says it's there, but it isn't. Help?
    ID CS3 Windows - Missing Font,...
    Try exporting to .inx and opening that, then run Find Font again. I'm willing to believe that Find Font could report in error, but I've never seen it.



    %26gt;It is beneficial for us to pick up the previous month's document when working on the next document, because all the settings are there (styles, color palettes, document-specific preferences, etc.) and, if there are multiple individuals working on these documents, it maintains title style integrity much easier than if individuals not familiar with the title are constantly having to start a fresh document. So... you see the conundrum.



    This is why templates were invented. :) Re-using old documents has been a traditional source of file corruption, though in my experience it is far less of a problem in ID than it was in Quark, which was miles better than Pagemaker.



    Peter
    ID CS3 Windows - Missing Font,...
    No, you're right, re-using old documents HAS been a traditional source of file corruption - but we don't use templates for the very reason that a template is somewhat ''permanent'' and in a monthly periodical setting outdates more quickly than one would think, and the previous month's document is much more current. And - we get away with it for the very reason that you indicated - because it is far less of a problem in ID than it was in Quark, and miles better than Pagemaker.



    I wonder if actually moving versions isn't actually part of the problem, since many of these documents were at some point converted from Q4 to IDCS2, and then brought into IDCS3? But - we will definitely try this and see if it cleans it out. It just might do that! Thank you!

    Converted docs can be flaky. The first thing you should do is export to .inx and reopen and save a new version.

    IDCS3 export to PDF - how to get...

    I'm exporting my InDesign file to PDF, and the headings are all nicely showing up in the bookmarks, but the superscript chars in my headings (such as the trademark symbol) are showing as regular chars in the resulting PDF bookmarks.



    Anyone know if it's possible to get superscripts into the PDF bookmarks?



    (I doubt it matters, but I'm on Windows XP, InDesign CS3 Design Standard.)



    Thanks,

    -Monique
    IDCS3 export to PDF - how to get...
    I had a similar problem and it seems to have to do with the font in Acrobat. I looked into a script for changing the font used for bookmarks (or for changing the glyph, I can't remember which anymore), but didn't pursue it as it was just as easy for that project to change the ID document.



    You should ask this question over in the Acrobat forum where the Acrobat experts hang out.



    Peter
    IDCS3 export to PDF - how to get...
    %26gt;superscript chars [..] (such as the trademark symbol)



    There is some dispute over a trademark symbol being superscript or not. In some fonts it is, in others not. Therefore, for some fonts you need to apply ''superscript'' and in others not.



    %26gt;[..] showing as regular chars in the resulting PDF bookmarks



    That's the way it is. You cannot apply formatting to bookmark text. You

    i can

    change the font (I seem to rembember), but that doesn't help -- it's a global change.



    If you desperately positively need some characters to be in superscript, check the character map for (I think) Arial Unicode. There is a tiny set of characters that has a superscript form: 鹿虏鲁 -- but do check if they appear the same in Acrobat.

    Help with uninstalling InDesign CS2

    A month ago, I installed CS4 over CS2.

    Then, InDesign CS4 did not work because of the conflict with AMD chip in my computer. So, uisng the original CS2 disk, all programs were uninstalled EXCEPT FOR INDESIGN CS2. The reason is that I wanted to use InDesign CS2 until the problem with CS4 is fixed.



    Today, after installing InDesign CS4 update (it was a sort of plug), InDesign became working just fine. So I want to remove InDesign CS2. The problem was that I was not able to remove InDesign CS2 by Add or Remove Programs or with the original CS2 disk.



    Please advise me how to uninstall InDesign CS2. In
    Help with uninstalling InDesign CS2
    http://www.adobe.com/support/techdocs/331300.html

    ID CS3 - Align & Distribute Buttons: Is...

    I use these buttons often and it would be nice to align the bottom of a box/item to the top of the one below it. Is there such tool that I just haven't found?
    ID CS3 - Align %26 Distribute Buttons: Is...
    Hi Blade,



    You can use distribute spacing to align the top of one shape with the bottom of the shape above it--turn on the Use Spacing option and set the spacing value to 0, then select the two shapes and click the Distribute Vertical Space button. As far as I can tell, this always moves the bottom object.



    Thanks,



    Ole
    ID CS3 - Align %26 Distribute Buttons: Is...
    Smartguides in CS4 sure come in handy for this sort of thing.



    Bob

    SMART DIMENSIONS AND X AND Y...

    I am using ID CS4. I have turned off 'smart dimensions'but is there any way to turn off that annoying x-y co-ordinate box that pops up whenever I move something? Any help would be greatly appreciated.SMART DIMENSIONS AND X AND Y...
    Edit %26gt; Preferences %26gt; Interface and uncheck Show Transformation ValuesSMART DIMENSIONS AND X AND Y...
    Thanks Peter. That has been bugging me since I started CS4.
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  • Force ID CS4 to import using cropbox

    Configuration:



    ID CS4 6.0.0

    Windows XP SP3

    3gb ram

    750gb HD free



    I have a library of PDF pages that I use in ID. Not all of the PDFs were created with the same definition of bounding box but all have the same definition of cropbox. As a result, I need to import my images using cropbox to get uniform placement. I know how to set the option for cropbox or boundingbox but that option seems to reset itself from time to time to boundingbox which wreaks havoc on my layouts. I find I have to always double check myself to make sure that the import option is set to cropbox. Is there any way to set the default to cropbox instead of boundingbox and ensure that it will not reset to the program default which seems to be boundingbox?
    Force ID CS4 to import using cropbox
    IME it remembers the last setting. But you should definitely download

    and install the 6.0.1 update.



    Bob
    Force ID CS4 to import using cropbox
    Yes, it does seem to render to the ''last'' setting, however... and I could be wrong about this... it appears that any number of things including an unplanned exit of ID, reset the preference to ''bounding box''. As my workstation is used by multiple people, it's problematic not to be able to set the default to ''cropbox'' because I never know whether someone intentionally or accidentally might have reset the preference. I've lost entire days worth of work because of this. I just pulled the update and have installed it. I can't tell that it has any bearing on this particular subject however.
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  • Ink Manager-How do you replace the...

    CS3...I receive art from other people sometimes and I may use the Ink Manager to change the color of something in the art to print as another color when using PMS colors, like maybe with a PDF. The problem I am running into now is with this PDF, the colors used are Y and K. Im finding that there is no way to have the Y print as another color. Is there something Im missing?



    Ive opened this in Illustrator and from what I can tell, this isnt even vectorized. It might have been made as two separate layers in Photoshop. Ive opened it in Photoshop and its not in layers or anything I can easily fix.
    Ink Manager-How do you replace the...
    And why can't photoshop change the mode to grayscale?
    Ink Manager-How do you replace the...
    because the areas between the black and yellow sections are not cleanly defined like with a vector graphic. To separate into two different graphics is the only way I can find to do this but its not going to look as clean. It would be easiest to just swap colors in the printing process with this image but Im not finding a way to swap a process color to a PMS color

    Print separations to PDF. Open in Illy and assign the spots there.



    Note: this a workaround, not something I strongly recommend but it just

    might work.



    Bob

    Ah, didnt think of that but that seems to have done the trick for now, thanks!

    Simply tell the press operators, they should

    use your choice of Pantone ink instead of

    process yellow. What should be the purpose of

    a new doc with ASSIGNED spots?



    Of course, this doesn't solve the problem of

    simulating the appearance. Replacing yellow

    ink by another ink will probably cause unexpec-

    ted effects.



    Best regards --Gernot Hoffmann

    How to replace Process Yellow by something else, for instance

    by Pantone 163C which has L*=75, a*=37 and b*=40.



    1) For offset printing just replace the ink.



    2) For the simulation of the appearance use Photoshop:



    Color Settings %26gt; CMYK %26gt; Custom CMYK %26gt; Custom Inks %26gt;

    Replace name by 'NewYellow' %26gt; Choose mode L*a*b* %26gt;

    Replace Lab values for Yellow by 75,37,40

    Save Color settings as NewYellow.csf



    Open the Black/Yellow PDF in CMYK mode with these color

    settings already loaded.

    Assign or Convert to Profile doesn't work as expected.



    IMO, all this isn't really useful. Just for the case someone

    else wants to know where and how colors can be assigned

    to inks.



    Best regards --Gernot Hoffmann

    If this is a bit of art mixed in with other art which is properly prepared so it has a spot plate in it, and you are trying to get that process yellow to print as a spot (if you followed that), AND there is no process color output, i.e. this is strictly a black and one spot job, it might be simpler to alias all of the spots to yellow to match the problem file, then as Gernot says, just tell the printer that the yellow plate is really PMS xxx.



    Peter

    Master Page objects

    Bob, I can't find my previous thread, I don't even remember its name. So I am opening a new one, hope I'm not close to spamming by doing this. I had some problems with the objects on the master page, they didn't come out when exporting to PDF. Well, I somehow fixed it, I don't know exactly how, but I think there was another object in front of it, that became visible only on the PDF, covering my object. Maybe you can better guess what happened cause I surely can't.

    As I've already opened a new topic, I'll use this opportunity to ask if there is any possibility to activate the objects placed on the master pages from aleatory pages of the document. I mean, if I want to bring forth a master page object on let's say page 5 and place it on top of something else, but leave the other master page objects where they were, can I do that? Or do I have to apply None on page 5 instead of Master Page, and copy the object from the master and place it on the page I'm working in.

    Hope I didn't piffle to much and was clear enough.
    Master Page objects
    all objects from MasterPages as always placed beneath of objects placed directly on regular Page from the same Layer



    if you need to bring some object placed on MasterPage above object(s) on regular page - you need to click SHIFT+CTRL+LeftMouseButton on this object and override it on current page



    robin



    --

    www.adobescripts.com
    Master Page objects
    Thanks, Robin. It was much simpler than I thought.

    6.01 does not fix my interface problems

    I have previosusly reported minimize/maximize problems with a dual monitor setup, and a floating control panel. (filed a bug report as well)

    See http://www.adobeforums.com/webx/.59b6ce2e/3

    The problem is still there.
    6.01 does not fix my interface problems
    I wonder if I am the only one who has this problem. May be this is because of the way I have ID set up on two monitors:



    I have a horizontal toolbox at the top of monitor 1, between the Arrange Documents dropdown and the Workspaces dropdown, above the document area.



    I have a floating control panel, in the top left corner of monitor 2.



    When I start Indesign, the top right corner of monitor 1 looks like this:



    http://img5.imageshack.us/my.php?image=idcs41.png



    The top left corner of monitor 2 looks like this:



    http://img27.imageshack.us/my.php?image=idcs42.png



    As you can see, there's a grey rectangle that runs from the toolbox on monitor 1, across to monitor 2, where it covers part of the control panel. On monitor 1, it covers the Workspace dropdown, search field, and the close/minimize buttons.

    Moving the toolbox a tiny bit removes the grey rectangle, and everything becomes normal.



    Besides, there is the minimize/maximize bug, when I maximize the program from a minimized state, the main program window doesn't come up, but all the panels do. I have to move the control panel to make the program window appear. Also, any other open program will stop responding until I either move the control panel, or close Indesign from the taskbar.



    Could somebody try to reproduce this?
    6.01 does not fix my interface problems
    I forgot to mention it's Win XP SP3

    Per,

    The issue described here has been reproduced (for reference it is issue #1911106). Of course, we will attempt to include a fix for this in a future release. Currently, I only have evidence of two customers being impacted, so it's hard for me to argue that this should be included in an out of cycle (dot) release, compared to issues that are causing many people to crash, or get incorrect output, etc. If you have any information that can help me to make the business case for fixing this sooner, I'll use it to the best of my ability.



    Sincerely,

    Matthew

    Matthew,

    Thanks a lot for this response.

    All I can say is that these bugs are extremely annoying, but at least I can Alt-Tab between ID and other programs with no problems.

    Thanks again.

    Winsoft, CS4 ME, Media

    I wonder if anybody could confirm that she/he is using the ME version of InDesign and got the software on CD - not the download version from the Winsoft website.
    Why? Well, I ordered the Adobe Design Standard CS4 ME on January 4th, 2009 (according to the info on their website, this version was already available).
    Nothing was or is mentioned that the software is not available on CD.
    Six weeks later I received their info by e-mail (quote):

    ''First we appologize for our late reply and we are sorry to hear that you got problems in getting your product.
    Are you still waiting for the installation Media? I confirm that a shipment left France at the beginning of February.
    So you should now receive the installation Media. Please confirm.
    By the way I would like to emphasize that it was not Grapheast Jordans fault regarding the delay in dispatching the media CD.
    We faced problem here in manufacturing the Cds... Which is now hopefully solved.
    Sorry again for the inconvenience caused and we hope that you are fully enjoying your products.''

    Actually, until today I'm still waiting for the media. Therefore my question, does anybody indeed have the CD of that software?

    Thanks,

    AloisWinsoft, CS4 ME, Media
    Yes. Design Standard ME has been available since some time in December
    (I forget the exact date). You should have gotten it by the beginning of
    January for sure. Maybe there was too many orders in Jordan? Dunno...

    Design Premium ME was held up because Dreamweaver took longer to be
    released. It's been available since the beginning of February (February
    5 or so).

    --
    Harbs
    http://www.in-tools.comWinsoft, CS4 ME, Media
    ''Maybe there was too many orders in Jordan?'' LOL !
    Actually it seems (or rather is a fact) that I'm the first one who ordered this software and paid for it! Now they are facing the problem to get it to Jordan - since 4th of January.
    I was thinking that maybe I am the only customer buying this software as original here in Jordan, and therefore I have to wait till a ship sails from France to Jordan and is lucky not to be pirated by some Somali pirates at the Horn of Africa.
    But then - after 6 weeks - Winsoft confirmed that they shipped it by plane (see quote above). Oh yes, they also emphasized their regrets.
    Hi Harbs, seems that you got a better connection to Winsoft than Grapheast does. So maybe next time I can order from you?
    Or even better, develop a plugin similar to that of ArabicXT for QuarkXPress (which I also have). Maybe this would start some fruitful competition and brings hope to patiently waiting - if not frustrated - users (like me).

    ''Maybe there was too many orders in Jordan?''
    Oh yes, everybody is using it here, but almost nobody is willing to pay for it - one can get a copy for 5 dollars in the next coffee shop.
    Well, I'm a registered user of Adobe products for many years and use InDesign ME since version 1.52.

    So I can only hope to get it sometime this year (hope dies last).

    Alois
    LOL!

    AFAIK; APTEC, GraphEast, and Quicksoft have exclusive distribution
    rights in their respective jurisdictions. So I don't think I'm allowed
    to ship to Jordan.

    The situation can't really be *that* bad! Did you order a boxed version
    or a site license?

    --
    Harbs
    http://www.in-tools.com
    Got the Media yesterday. Wow, that was quick! I believe I heard a Concorde flying over my head yesterday with ''my'' package aboard. So, finally I got it with a basket full of apologies for free.
    Nevertheless, I contacted Winsoft regarding the issue buying the next update from somewhere else - let's say from in-tools. Still waiting for the reply though. Hope I didn't raise some bad feelings by telling facts here.
    So anyhow, Harbs, thanks for your contribution.
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  • Can NESTED STYLES continue past the...

    Or do they operate only within the one paragraph?



    I want to format text like this:



    b Bold heading followed by



    Regular line



    Regular line



    Can it be done using nested styles? I've looked but can't see a solution.



    Cheers,



    David in Sydney



    FYI I'm using a plug-in called XMPie and I want the text to either appear fully formatted as above, or to not appear at all (if the client so chooses).
    Can NESTED STYLES continue past the...
    No. The return starts a new paragraph.



    Just create separate paragraph styles for the bold and regular.



    Bob
    Can NESTED STYLES continue past the...
    Thanks Bob,



    I suspect as much. However, for what I want to do I need the nested styles to go past the return(s) until it reaches a special character such as using the End Nested Style Here character.



    I'm hoping someone may have a workaround.



    Cheers,



    David

    Nested styles are defined as components of a paragraph style. They exist within paragraphs and cannot see from one to another. There is no workaround to this, but you might be able to use combinations of paragraph styles to achieve your goal.



    Dave

    THanks Dave.



    I'm looking at XML maybe that will provide a solution. I say 'looking' not 'understanding', it may be beyond my ability.

    ''Next Style'' might be what you're looking for...



    --

    Harbs

    http://www.in-tools.com

    In CS4 you can set a nested style to work for a set number of lines (or you can use a forced line break in older versions) so that if your sample above is all one paragraph you'd have no problem.



    If each line is a separate paragraph it would work using a ''next style'' rotating sequence, but only if the number of paragraphs doesn't change between headings. If it does, you can use forced line breaks instead of hard returns and combine multiple paragraphs into one, but it's really an ugly way to work.



    Peter

    Thanks Harbs and Peter, you're right, Next Style is the way to go because each line will be a separate paragraph (in this case). I'd seen that Next Style drop down in the options but didn't know what it meant. %26lt;br /%26gt;%26lt;br /%26gt;Unfortunately, while it works fine in InDesign it doesn't work in InDesign with XMPie. I'm designing templates that clients can use online to create their own print ads and we use XMPie to create the fields in which clients can input text. When I test the template online the following 2 lines are also Helv 65 instead of Helv 45.%26lt;br /%26gt;%26lt;br /%26gt;This is very weird, it should work %26lt;sob%26gt;.
    I'd contact XMPie's support, if I were you...



    --

    Harbs

    http://www.in-tools.com

    Text box - strange icons appeared

    I have several text boxes on my document. But suddenly one of the boxes has strange icons on the upper right side and lower left side.



    On the right upper side the icon looks like odd looking double tiny text box when I hover over that the mouse changes to a ''vertical line with arrow pointing to the right''



    On the lower left side there is a small horizontal line appearing adjacent to the text box but on the outside. When I hover on that the mouse turns to an invert ''T''.



    What have I done to create these? What are they? And how do I get rid of them?
    Text box - strange icons appeared
    I bet you accidentally clicked on the frame with the type on a path tool. Those sound a lot like the in and out ports and control handles for text on a path. If that's it you should be able to select the frame, then go to Type %26gt; Type on a Path %26gt; Delete Type from Path.



    If that isn't it, can you post a screen capture on pixentral.com and put a link here so we can see?
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  • RGB to CMYK?

    Hi,



    I have 30 images in a document in ID CS3? The images are all RGB, is there a quick way of converting these images to CMYK color?



    Thanks,



    Barb
    RGB to CMYK?
    No need to...if they're properly tagged they'll be converted on export

    to PDF.



    Bob
    RGB to CMYK?
    How are they properly tagged?



    Thanks,

    Barb

    Embedded profiles.



    If you don't embed the profiles, ID will assume the working space (as would Photoshop) unless you specifically assign something else.



    Peter

    how do you embed image profiles? By embedding the images?

    Profiles are embedded at the time images are saved, if you choose to do so (and I think you should), and the saving application allows it. The link information or the info panel should tell you the embedded profile, it it's there.



    If there is no embedded profile already you can open the image in Photoshop and ASSIGN (not convert to) a profile -- and it will be pure guesswork and subtle differences if you don't know already what it should be, so turn on preview in the dialog and try a few until you get something that seems right -- and do a save as and embed the profile you chose.



    Peter

    Thanks for your assistance!



    Barb

    Need a Button behavior: go to next...

    I have a book with about 20 files in it. Each file is a separate chapter. On my master pages, I need two buttons: one that jumps to the next chapter and one that jumps to the previous chapter. But, those destinations are different for each document in the book.







    Is there a way to be able to set up a couple of master buttons that do this, or do I need to set this up manually and never resynchronize my master pages again? I suppose I could set up 20 different master pages, and then apply the appropriate master page to the body pages of each document, but that seems excessive. I don't want 400 master pages. I just want a couple of buttons that jump to the next chapter.



    Any ideas?
    Need a Button behavior: go to next...
    Check out Adobe Acrobat. You can do this using buttons there.
    Need a Button behavior: go to next...
    I'm looking for a way to do this right in InDesign so I can regenerate the PDF as needed and not have to redo the chapters buttons every single time.

    Hi, Kelly:



    You can probably do this with either a dedicated TOC, index, hyperlinks, or cross-references. i haven't tested these beyond a quick experiment, so no guarantees one or more will suit your need.



    * For the TOC method, you could apply a dedicated paragraph style, named for the chapter, to a paragraph in each file, then create a mini-TOC in each file that looks for the dedicated paragraph style in the next and previous files.



    * For the index method, you'd need to create a dummy first-level topic in each file with a sub-level topic named for the chapter (for convenience). In each file, create an index for the book on a master page that's applied to all pages - you might need to create a based-on master page that's used by all master pages for this. When you generate the index, place it on the based-on master page, delete all entries except the chapter-named sub-entries, and synchronize it across all files in the book. This will create clickable PDF links to all chapters. In the index on each chapter's based-on master page, delete the all the entries except the two that point to the next and previous files. When you update the indexes, you'll have to delete the unwanted entries.



    * For the hyperlink method, create links in each file to the next and previous file.



    * For the cross-references method, create a cross-reference to the next and previous files. IDCS4 has built-in cross-references. For CS3 and CS2, you can use the free cross-reference script by Teus de Jong (search Google), or the commercial InDesign cross-references plug-in from dtptools.com, or virginiasystems.com.



    * You'll need create a button-like graphic for the links you create with any of these methods..



    * I'm not near my IDCS4 machine, so I can't check if it can export book chapter files separately. IDCS3 only exports a book as a single PDF. Also, in IDCS3, the links in the single PDF point to the destination chapters in the same document. If your goal is to create separate PDF chapters, you'll need to modify the links to point to the correct files.



    i think the TOC would be simplest to maintain, especially if you capture and include all the chapter links in every file, like a thumb-tab.



    Let us know if any of these off-the-top-of-the=head approaches work for you.



    HTH



    Regards,



    Peter Gold

    KnowHow ProServices

    I'm trying to wrap my head around the TOC method. How does that work with the buttons I have set up on my master page? Can I have this mini TOC on the master page and still have it work when I synchronize my book and update the master pages (which have navigation buttons on them)?





    What I'm looking for is something that still works after updating the master pages without me having to go in and edit the master page of every chapter after I do do an update. I know I can synchronize files in a book without including synrchronizing the master pages, but I want the layout to remain flexible without having the tweak the master pages after each update.

    If you want to find Teus de Jong's cross-reference script it should be here: http://www.teusdejong.nl/indesign/crossrefs.zip

    Hi, Kelly:



    ] I'm trying to wrap my head around the TOC method. How does that work with the buttons I have set up on my master page? Can I have this mini TOC on the master page and still have it work when I synchronize my book and update the master pages (which have navigation buttons on them)?



    I took a look at ID CS4 and verified that, like ID CS3, the book panel menu doesn't offer export of separate PDFs for each file in a book.



    I don't know how your buttons are set up. If you've created them to point to next/previous chapter, on each master page in each file, they should link correctly when you export the ID book to a single-PDF book.

    I did a quick small test of my big-idea mini-toc on master pages, and it works. I think that the advantage of a mini-toc, or cross-reference, vs. manually created hyperlinks, is efficiency. You can create a unique paragraph format in each file that you extract for the mini-toc - for example, if the chapter titles are beginning, middle, later, and end, you'd create a paragraph style named beginningSty for that chapter, middleSty laterSty, and endSty for the others, respectively. When you create the mini-toc for the middle file, you'd specify beginningSty and laterSty, and align their TOC

    entries with the Previous and Next button graphics. If files are rearranged in the book, for each mini-toc, you'd choose the paragraph style of the previous and next files, and replace current TOC.



    Cross-references in ID CS4 and the DTP Tools cross-reference plug-in can also work efficiently. Because you can choose any paragraph in the previous and next files, you don't even need to create those unique styles necessary for the selective TOC method. Cross-references on the master pages work in the single-file PDF you export from the book.



    I haven't looked at Teus de Jong's free cross-reference script in a long time, but I don't think it could work because it doesn't select by paragraph style.



    HTH



    Regards,



    Peter Gold

    KnowHow ProServices

    general Import Problems in 2.0.2

    I do not know what happens. 1.5.2 and updated to 2.02 no other options anymore available. Win XP.
    When i want to import the documents of an for years working installation of my designer the message comes up ''Indesign content manager'' actualise your add ons or upgrade your version. There are no updates available. What is generally wrong ?general Import Problems in 2.0.2
    Sounds like it might be the message you would receive trying to open version 3 or later files in version 2. I no longer have version 1 installed to see the wording for that error.

    Petergeneral Import Problems in 2.0.2
    no no
    we exported from a mac 1.52 so itis a lower version.
    First we tried from mac 1.52 to 152 pc and the i bought the update to 2.02 but i still could not read
    Can you email the file (no links or fonts, just the document file itself and under 10 mb) to me at spammercatch at comcast dot net? I'll take a look at it if you like and see if I can tell what's going on. Zip it before sending so it doesn't get damaged during transfer.

    Peter
  • maturity or age
  • Tables Tutorial

    Not too long ago I viewed a tutorial on placing tables from Word and Excel into a frame in InDesign. Now I can't seem to find it. Could someone please help me find this tutorial? Thanks!



    Mel
    Tables Tutorial
    Don't know what you saw previously, but you can find this on the lynda.com InDesign training videos. You can get a free 7-day trial by going to www.lynda.com/deke



    Tad

    Movie: poster and audio, but no video

    am running Windows XP and Acrobat 8 Pro, InDesign CS4. I tried placing the video into ID and then exporting with the video already in the PDF. The poster shows and the audio plays, but the what should be video just turns into a grey box. However, I can play the movie fine right in Quicktime. Both the movie and the PDF are right on my desktop, to avoid any server latency issues. Am I doing something wrong, or is this a software bug? Why doe my movie work fine in a player but not in a PDF?

    Trying to save jpg freezes Indesign

    I have a user in my office that when trying to save a jpg file in Indesign as well as photoshop, either program will only show the save as window for a split second and then the software will lock up. They have Photoshop CS3
    Trying to save jpg freezes Indesign
    Do they use multiple monitors? Are they running flat screen monitors at less than the maximum resolution?



    Peter
    Trying to save jpg freezes Indesign
    The person has one monitor and the resolution is set to 1280X1024.

    Is that a flat screen? Can it run at higher resolution?



    I ask because dialogs drawn off-screen, which is what this sounds like, are a common problem under that scenario.



    Is this restricted to only when you try to save a jpeg?

    We can see the window, and it pops up in the center of the screen, but it only displays for a split second and then the software locks up.



    This only happens when you try to export and save to a different format. If you save the file as a Photoshop or In Design file, then it saves fine.

    I suspect the dialog is hiding behind the main window, try minimizing everything, or hitting Alt + Spacebar to see if you can access it. If you are able to get the dialog to reappear in Photoshop, resize it. That seems to help.



    Peter
  • new lipstick
  • HELP !!!! How to PRINT COLORS in...

    Please help, I am new to color and would like to know the correct way to fix my problem;



    I used Adobe Kuler to produce RGB and CMYK codes for a specific set of colors. It is my understanding that for the colors to print the same in Word documents and Adobe documents (InDesign), I need to use RGB for Word and CMYK for Adobe.



    Although the colors print similarly, there is a difference...and I have no idea what to do. I tried letting Adobe convert the RGB codes to CMYK, that didn't work either.



    I printed a sample from Adobe Kuler and it matched the Word document (RGB) PERFECTLY. It seems that I am only haveing trouble with the Adobe InDesign (CMYK) documents.



    PLEASE HELP!!
    HELP !!!! How to PRINT COLORS in...
    It would help to define the colors RGB in InDesign, and also to set the InDesign page to RGB (Edit %26gt; Transparency Blend Space), and also to print thru the printer driver dialog boxes to a destination color space that is RGB.



    It would help to have your color synchronized across your creative suite of softwares.



    Not only that, but you should calibrate your monitor with a spectrophotometer or colorimeter device.



    These things will improve the color matching amongst your programs; but it will likely never perfect it.



    Mike Witherell in Alexandria, VA
    HELP !!!! How to PRINT COLORS in...
    A LOT of this has to do with how you are printing, and that Word is not a color-managed application, while InDesign is.



    Are you send the file to your desktop printer from both applications, or do you expect this to go to a commercial press?



    For a desktop printer you should be using RGB colors. Despite the fact that they use CMYK inks or toners, desktop printers are designed to accept RGB data and convert it to CMYK internally. If you send CMYK it is first converted to RGB, then back to CMYK, and you get some color shifting from rounding errors.



    Word uses your monitor color space and does not apply any management conversions for display or printing, so it sends exactly the numbers that you've created. InDesign will use a profile for your monitor to display the colors, and will presume they are in the the document working color space, which for RGB is probably either Adobe RGB or sRGB, depending on what you have set for color settings. Your monitor may or may not be displaying something close to either of those color spaces, so there is a high probability that the color will look different onscreen in the two applications.



    InDesign will also try to manage the color at print time, making adjustments to the numbers it sends to the printer so that the color will APPEAR the same as it does on a calibrated monitor when printed in the color space specified by your output profile (which will be the same as the working space unless you change it in the print dialog).



    For the best match to Word, but not necessarily to what you should expect from a printing press, I would change the setting in the print dialog from InDesign manges colors to Printer manages colors, and see if things look better.



    For a reliable and predictable color work flow you should start by calibrating and profiling the monitor, and if you intend to use the printer for final output it should be profiled as well. You should read as much as you can about color management, starting with the Help files, and moving on to something like Real World Color Management which despite being fairly technical is actually pretty easy to read and understand.



    Peter

    Deleting fonts no longer used in a...

    Using CS2, Win Vista Home Premium.



    How do I delete fonts no longer used in a CS2 document but still showing up in the preflight info? I've completely changed a couple fonts in a doc I'm working on but when doing a PDF I get a message that the two original fonts I used are missing and names the fonts. I checked Preflight and it's showing the same thing...2 missing fonts. In actuality, those two fonts are no longer in the doc which was resaved after changing out the fonts.
    Deleting fonts no longer used in a...
    They're there someplace -- probably in something you can't see like an empty paragraph or a space character, or even some random punctuation mark. They may even be in style definitions, or overset text (though you should get a warning about oversets, too, if there are any).



    The first thing to do is run Find Font and see if it finds them. Once you know where they are you can decide the best course of action -- either deleting the unnecessary text, changing the font to one that is in use in surrounding text, or redefining a style.



    Peter
    Deleting fonts no longer used in a...
    Thanks, Peter. The document is an advertising insertion order for our magazine that contains many individual text frames. Find Font didn't show anything so I methodically started deleting text frames, checking Preflight each time, and found two offenders. Oddly, neither contained the fonts reportedly missing. Both text boxes were short pricing lists, so I simply retyped them from scratch and all is fine. Since these two text boxes contained a completely different font than was reportedly missing, I still can't figure that part out.



    What started all this is a new computer and going from XP Pro to Vista. I used all of the Arial Narrow family and Arial Black in the original docs but after going to Vista, none of my Adobe programs are recognizing Arial Narrow bold, italic, or bold italic...nor Arial Black. Actually, they're showing Arial Black but it's now only italic. I've read through all the posts concerning the Arial Narrow issue and although I've tried the suggested fixes, nothing has ''fixed'' it. This is going to be a nightmare for upcoming issues when using the previous issue templates with many styles set to Arial Narrow bold, bold italic, and italic. I've tried using standard Arial with -50 horizontal spacing and that seems to approximate Arial Narrow.

    Sometimes it's pretty hard to tell what Find Font is looking at. :)



    Did it beep to indicate it couldn't find the first instance, or was it just impossible to see it? Switching to Story Editor can help in that case.



    Peter

    Well, here's the deal with Find Font which seems to be a double edged sword. Once you open the Preflight window, then open the Find Font window, both stay on top of the doc and can't be moved once open. And the doc can't be moved as long as the Find Font windows are open. It's no problem with a one page doc because you can move the Preflight window to the side, open and move the Find Font window to the side to make the doc visible. Then when you click on Find First, it'll highlight the first group of ''missing'' text on the doc.



    However, the main problem when looking through a multi page doc like a magazine layout, even with the windows moved to the side, if the highlighted text happens to be under the Find Font window, you won't see it. And you can't move the doc. This seems to be a counter productive feature. The only thing you can do is make note of the info at the bottom of the Find Font page, which includes all pages where the ''missing'' font appears and access each page one by one, then do another Find Font procedure to hopefully highlight the text on each page. Sometimes this works and sometimes it doesn't. Sometimes you still have to go through pages and manually search for the offending text by highlighting.



    I just spent 1/2 hr going through a one page doc that insists there's Arial Narrow somewhere...even after deleting everything off the page. I even did a CRTL-A while in Entire Pasteboard view to see if there was a stray text box somewhere but found nothing.

    Did you check the style definitions? How about Master pages and master page pasteboards?



    I truly sympathize.



    Peter

    Did you try this:



    http://indesignsecrets.com/hotfix-corrects-arial-narrow-problem-on-windows.php



    Bob

    %26gt; Once you open the Preflight window, then open the Find Font

    %26gt; window,



    Go straight to Type %26gt; Find Font. No need to bother with File %26gt; Preflight.



    If you zoom in before using Find Font, the screen should focus on the

    page zone that contains the text found, which should be highlighted if

    it's not overset.



    --

    Kenneth Benson

    Pegasus Type, Inc.

    www.pegtype.com

    I also have a problem with Find Font... but not necessarily Arial Narrow. It happens in CS3 occasionally in documents that are picked up from existing documents and then modified (I work for a monthly trade magazine publisher).



    The problem we've seen with this issue is that occasionally a typeface will flag that it is missing, but if you go to the Find Font window it cannot find the first instance... and in the ''more info'' section it indicates that the character count used is 0, and the style count, styles, and pages lines are blank. The font usually shouldn't be in this document (meaning we own it and use it in other documents, but not this particular one), and there aren't any hidden/locked layers, and no unwanted/extra text boxes can be found (even if one uses the ''object find'' to find all the text boxes...



    It is beneficial for us to pick up the previous month's document when working on the next document, because all the settings are there (styles, color palettes, document-specific preferences, etc.) and, if there are multiple individuals working on these documents, it maintains title style integrity much easier than if individuals not familiar with the title are constantly having to start a fresh document. So... you see the conundrum.



    Any suggestions on the phantom nonexistent type? It wants to transfer itself to embed in PDF when we send to press, because the document says it's there, but it isn't. Help?

    Bob...yes, I tried the hot fix but didn't ''fix'' anything. Did a search for adobefnt.lst and found nothing on my system. Did a search for *.lst and found nothing. Apparently I'm just going to have to find substitutes.



    Kenneth....thanks for the tip. Makes using Find Font easier.

    D - I noticed you were searching for ''adobefnt.1st'' - I don't know if this will solve your global Font Problem, but the file you should be looking for is ''adobefnt.lst'', as in adobefnt - dot - L S T (Lima Sierra Tango) as opposed to 1 S T, like 1st place. That's maybe why it couldn't find it? Sorry - it looks like you wrote LST on the post website, but my e-mail subscribe is serif and looks like it was 1st. If not helpful, just ignore!

    You may need to enable the view of hidden files when you do that search.



    Bob

    Hey Amy,

    Thanks...I know it could look like a 1 but it's a small L. Actually I copied and pasted the file name from the online instructions. I even typed in the file name to make sure it was correct. Odd my system doesn't have any .lst files.



    Bob, I always have View Hidden Files enabled, so that's not the problem. But thanks for the suggestion.



    Have no idea what to do now except proceed with finding good Arial Narrow subs. I've found a few that would work ok in general as far as fit but there's always something I don't like about them... odd looking dollar signs and/or apostrophes, overly-large bullet characters, etc. I know Arial Narrow isn't the most beautiful font on earth but was the perfect font for our needs. Oh well.

    Well, here's an update. After reading through some info for my version of Photoshop (ver 7.0), it led me to an AdobeFnt10.lst file found deep in Users/My name/Local/Adobe/Fonts. I don't know why a search didn't find it when I did a *.lst search, but at least I found it. Is this the file to be deleted? It's the only one in the folder.



    The same AdobeFnt10.lst file is located in a folder named TypeSpt. So it's in two places.



    DC

    It's not at all unusual to find a whole slew of them. Delete them all.



    Bob

    Try searching for adobefnt*.lst. My experience with Windows XP search is that it often fails to find all of what it should. Also be sure you go to the advanced search options and enable looking in hidden and system files.

    Finally finding and deleting those .lst files did it. The only Arial Narrow I'm missing now is bold because a few days ago as a test I overwrote it with a earlier version after reading something about earlier versions working. I could kick myself for not copying that font file before overwriting it.



    I overwrote v2.40 with 2.30 so if someone has the 2.40 version of Arial Narrow Bold you can send me, I'd really appreciate it.

    In doing some research and contacting friends who have Vista Home Prem and Office 2007, I've discovered there doesn't seem to be a v2.40 of Arial Narrow Bold. I was guessing at the version since all other Arial Narrow fonts on my system are v2.40. But everyone has v2.37. One of my friends sent me v2.37, which I installed over the older version I'd put in, but it didn't help. Arial Narrow Bold still isn't showing up in my Adobe programs after deleting all the .lst files.



    I'm wondering if the hot fix only works with the original v2.37 font installed instead of installing it AFTER the fix. I overwrote the v2.37 font with v2.30 BEFORE applying the fix. If I knew how to uninstall the hot fix, I'd do it but have no idea how. Once uninstalled, I could reinstall it with the original v2.37 font in the system.



    Oh what fun!

    UPDATE. I finally found a fix that got all the Arial Narrow fonts back in my Adobe programs, including bold. See the ''Uninstalling the Arial Narrow hot fix?'' post, entry #6.

    ID4 page where clicking does no move...

    I've been using ID4 for several months, and ID2 and 3 before that. I'm working on a 90-page document where I've been adding and deleting a lot of pages and re-ordering pages, so page numbers of each page have changes a lot over the last month (in case that makes a difference).



    Starting yesterday, one page that already contains text in a frame will not accept the mouse cursor by clicking there anywhere on the frame. The text tool is selected. Whether I click over a word or drag to select text, the cursor does not move to the place I clicked.



    I can click on the next page to position the cursor there and then use the Arrow keys to move my way to the location I want. And once the mouse cursor is on the page, I can click elsewhere on the page to move it there, but once the cursor leaves the page, I cannot get it back on the page with a click.



    As a clue, this page is the first page in a chain of linked text frames.



    Has anyone else seen this? Does anyone know how to make this behavior go away? Should I be reporting this somewhere as a new bug?



    Thanks,

    John
    ID4 page where clicking does no move...
    Let's clarify which version you are using. ID4 is CS2. CS4 is InDesign version 6.



    Peter
    ID4 page where clicking does no move...
    I'm using InDesign CS4.



    One other thing I noticed as I try to work around this issue: If I create an anchored graphics frame inside the borders of the text frame, I can work with it until it loses focus. To get focus back on the graphics frame, I have to change to the Pointer tool, and clicking on the frame (with its Placed image) does not select the graphics frame. The only way I can select the graphic frame with the mouse is to first move the text frame so that at least part of the graphics frame is outside the text frame. I select it by clicking outside the text frame, make my changes, and then slide the text frame back into its correct position.



    John

    Just to eliminate a possibility of an errant frame, zoom out so you can see the page and try clicking with the text tool in the frame you want to edit. If there is an empty frame of any sort in front of that text frame your text tool should activate an insertion point in that front frame, which will probably show up above and to the left of the frame you are trying to edit.



    Another good test would be to switch to the selection tool and hit Ctrl + A to select all objects on the spread. DO you see any extra frames anywhere?



    Peter

    Thanks, Peter, you solved the problem. It seems there were two text frames that had exactly the same borders except at the bottom. I'm surprised that when dragging with the Selection tool they both moved together, even when I dragged in the middle of the frame.



    Anyway, I used the lower left corner to reduce the empty frame to under 1 square inch and the deleted it. All seems normal now.



    I appreciate your help, as always,

    John

    Placing graphics in frames on master...

    In ID CS2 on WinXP+SP3 -- is there a way to create a frame on a master page, and have that frame available on the document pages for placement of a series of graphic images?



    I can create the frame on the master page; I just can't select the frame on the document page when it comes to placing any of the graphics. And I can't find anything about this in the online help or manual (only in placing text, and the method given for that doesn't appear to work with graphics).



    Am I wrong in thinking this is possible?

    Can anyone help jog my memory please on how this can be done?
    Placing graphics in frames on master...
    Ahh, it's OK, I remembered how:



    Ctrl+D to load the graphic, then Shift-click on the frame to place it.



    Done!
    Placing graphics in frames on master...
    Try it without the Shift key.

    Hmmm, I've just re-learnt something else.



    I was about to reply that I found it didn't work without the Shift key, but I did some experimenting and discovered that if I create the document, then go into the Master page and create the frame using the Frame tool, then Ctrl-D and then clicking without the Shift key works to place the graphic, and the frame becomes selected -- which is obviously what I wanted to have happen.



    However, I'd initially created the frame on the Master page by selecting the ''Master text frame'' option in the ''New Document'' dialog -- if I do that, then the graphic is only placed in the frame if I Shift-click.



    I'm sure I knew that at some point, and even understood why this is the case; it's just that it's been quite a while since I needed to use a frame on a master page, so I'd forgotten what I knew about all this.



    Thanks for your help, Scott.

    The reason that it doesn't work with the master text frame is InDesign is expecting text input, not an image, in the text frame.



    A frame (or for that matter an object drawn with one of the shape tools) can accept any kind of input (though if you want to put text into it you'll need to release it from the master page first).



    Peter

    Placing Excel Spreadsheet resizing

    We are using INDCS3 and have created an Excel spreadsheet exactly to size (inches). We created a new IND document (preference set to inches) and when we do a PLACE it places the file, but shrinks it down to the columns are smaller and the fonts are too big. How can we get this to place correctly.



    KPanthen, Albany, NY
    Placing Excel Spreadsheet resizing
    Create a PDF and place that. InDesign will turn that Excel sheet into a

    native object and sizes etc will change to adapt to the document.



    Bob

    CS4 epub basics

    Am experimenting with creating epubs from CS4 documents.



    I believe I need to divide all my chapters into seperate documents and recombine them using the book feature.



    However, only the text in Chapter 1 appears in the epub document. All the other chapters are blank.
  • new lipstick
  • How to get the information of index?

    Hi all,
    I am a new InDesign developer. I want to know how can I get the information of the index places in the document, including all entries and styles. Or, how can I traverse the index tree on index panel.
    Thank you very much.How to get the information of index?
    Sorry, I forgot the point that I am using CS4.
  • hair brush
  • Join my survey!

    I'm doing a survey on how people use words like ''font'' and ''typeface.'' You can read more about it, and then follow the link to the actual survey: http://www.thomasphinney.com/2009/02/font-name/



    The survey will likely close in another day or two. Right now I'm trying to get more input from graphic designers who aren't font geeks.



    Thanks!



    T

    How to export images from an InDesign...

    Hi,

    I have Adobe InDesign CS3. There are many images as part of all my InDesign files. I have since lost the actual JPGs or GIFs. I'd like to reformat and rewrite my documents for various reasons. Is there any way to extract or export the embedded images to JPG or GIF files and to save them outside of InDesign?



    Thanks in advance,

    Steve
    How to export images from an InDesign...
    If they're actually embedded you can unembed them from the links panel menu.



    If they were linked and links are missing you're out of luck.



    Bob

    is there a way to import text into an...

    i'd like to start out by thanking everyone for the help with the text box or stroke around text/paragraph, the advise has definitely helped.. What i'm wondering now is, is there a way to take multiple docs ''wether it be a word doc or an indesign doc'' and have them import or insert into our main layout in inDesign randomly or by taking one paragraph from each individual doc 1 after the other till each paragraph is inserted..

    To give you an idea:

    say i hav 4 text docs each doc is a category so to say, each with anywhere from 25 to 100 paragraphs.. each paragraph is it's own item or description.. each of these descriptions or items so to say needs to be in our layout each week, but randomly.. Currently we are using the cut and paste method to achieve the randomness in our layout.. I'm hoping theres an easier way..

    -if this is something inDesign can't do, might there be an alternative.. say an external app. that might achieve this for us?
    is there a way to import text into an...
    So you mean each paragraph has to go into a separate text frame?



    If so, scripting or XML would probably e the best solution.
    is there a way to import text into an...
    -no.. everything has to go into 1 continuous text frame!

    well.. we've come up with some sort of solution that seams to work well for what we want.. we combined each doc into an excel doc with each paragraph on it's own line.. then added extra columns in excel to input random numbers and letters -that can be changed weekly, so we can use the sort feature in excel to reorder all the paragraphs.. next we copy and paste from excel to inDesign, because importing an excel doc seams to be more agravation than it's worth..



    -this seems like it will work well for what we need to do, though curiouse if anyone else might have an alternative solution?

    as always thxs..

    Interactive Buttons / PDF Behaviors

    Is there anyway, in INDD, to specify what a button will do in the PDF. There are some basic behaviors (First Page, Next, etc) but no ''Set Layer Visibility''. It would be nice to set a button in the master page to Show/Hide a layer. It seems you have to set this for each page in the PDF. Doesn't seem very efficient.
    Interactive Buttons / PDF Behaviors
    %26gt;Is there anyway, in INDD, to specify what a button will do in the PDF. There are some basic behaviors (First Page, Next, etc)



    That's about it...



    %26gt; but no ''Set Layer Visibility''. It would be nice to set a button in the master page to Show/Hide a layer.



    Nothing I know of within InDesign, other than the show/hide button...

    Once you're in Acrobat, the option to run a javascript with a button may be able to give you the desired result.



    hth

    -Ted
    Interactive Buttons / PDF Behaviors
    I am sorry if I am posting in the wrong place. Please let me know if I should have gone somewhere else.



    I was taught to use Fireworks for an Interactive PDF and now am learning that InDesign is more of what I will need. I am creating (attempting to create) an interactive PDF for students my students. I want so desperately to make this an interactive experience so they don't die of boredom. I love InDesign but as I was reading over the issues above, I am not sure what to do at this point. I have 2 weeks to finish a class and am desperate to do it correctly in InDesign. I would like it to flow like the digital magazines that are becoming extremely popular. I want my students to have the option to view this interactive PDF online and then link in a printable PDF. I may be way off base here. I sure hope that is not the case. Please will someone point me in the right direction? Thank you.



    Danielle Kaiser

    Danielle,



    It's best to start a new thread for a topic like this which isn't directly related to the original question.



    I'm not sure, at this point, exactly what the question is that you have. You can certainly make a PDF that can be viewed on screen and is interactive, and such a PDF would be printable, too (except for multimedia content which would show placeholders).



    If you have a more specific question, please start a new topic.



    Peter

    Font Management - Suitcase

    Is suitcase for windows compatible with InDesign CS4? I'm told FontAgent is.
    Thanks,
    Joe
  • new lipstick
  • faults next to targus mini mouse
  • Book page, automated lay up help?

    Hi,



    I have a book of 300 pages that I'm trying to lay up in Indesign, each page is a pdf file and I'm laying the pages 4 up to an A3 sheet. with each page of the book duplicated 4 times on each A3



    So far I've got the lay out of the page sorted and using the LINK option I can link each PDF page to a quater section of my A3 page.



    However, I'm having to click the PDF link for each page each time it inserts a page into its section.

    Is there anyway I can automate this? So that it links each page four times to an A3 page and then moves on to the next PDF?



    I hope this makes sense...
    Book page, automated lay up help?
    You should not be doing this. Commercial printers have the automation software for this called imposition. You should just lay out the 300 pages one up on a finish page size document and let the printer take care of the imposition. Talk to them.



    Or you could buy such software if you have money left over after the Adobe products.



    Al

    Create a hyperlink to a file

    I've created a Core Document in InDesign CS4 which contains a side column full of references to external Supporting Material files that are either PDF or Word Files.



    I need to be able to link these references in the InDesign file to the external files and burn it all to a CD so that when the client opens up the Core Document and clicks on a reference, that reference will map to the appropriate Supporting Material document.



    I've been doing 'Link to File' in the Hyperlinks Panel of InDesign, but this will only let me map to external files that are sitting on my hard drive.



    How am I able to burn the Core Doc and the Supporting Material to CD with links that will map within the CD instead of my hard drive.



    Any help is appreciated, many thanks!!
    Create a hyperlink to a file
    Wow, you have the same (married) name as my sister.



    Anyhow, I'm guessing you're exporting the base InDesign doc to a pdf...right?



    I believe you can use javascript to do what you need, but that would have to be added into the base PDF with Acrobat after the fact...
    Create a hyperlink to a file
    If all docs are in one folder then it's simple:

    Use New Hyperlink by URL ONLY with filename, without

    any path.

    Here is a complete example including ID docs and PDFs,

    also tested by CD:

    http://www.fho-emden.de/~hoffmann/hyperlinks/



    These docs will be deleted on Wednesday, Jan.25.



    Best regards --Gernot Hoffmann

    That works well, except that in Acrobat, every time I click on the click, I get an pop up that says ''The document is trying to connect to file://C...filepath and filename.pdf. If you trust the site, choose Allow. If you do not trust the site, choose Block.''



    Is there a way to accomplish this without getting that pop up?



    ID CS4, Windows XP, Acrobat Pro 8

    Kelly,



    did you try this with a CD ? There shouldn't be

    any reference to drive C.

    On the other hand: testing the CD, I get an enigmatic

    message about 'less than 10MB on the actual drive'.

    Ignoring this, I can continue.

    My configuration: WinXP, CS2, AcrobatPro7.



    Best regards --Gernot Hoffmann

    I'll try it. Thanks.

    Kelly,



    for further tests I've uploaded the PDF examples again,

    now without the space consuming ID docs:

    http://www.fho-emden.de/~hoffmann/hyperlinks/

    All URLs consist of the file name, without any path

    information.



    Best regards --Gernot Hoffmann

    Thanks for all your suggestions... I actually ended up hyperlinking through Acrobat and not InDesign, worked a treat!



    Cheers,

    Sarah

    Panels all clustered?

    All my panels under Window, open all at once in an insane cluster that is impossible to work with.

    For example: I open the Character panel and they all open together as if clustered into one panel which you cannot navigate to other panels (like when you have 2 or 3 of them together) because there are too many and the tabs are all clustered. It is impossible to grab one by its tab and pull it out of there so that it is on its own, and then open another panel, so I am stuck with this unworkable cluster every time I want any panel, so I have to keep going back to ''Window''.



    here is a screenshot:



    http://screencast.com/t/afgig2qpaoY



    Any ideas how to have the ones I click on to come up individually only.



    Thanks
    Panels all clustered?
    Looks to me like one of your co-workers has a rather silly sense of humor.



    Reset the workspace.



    Bob

    Need Indesign user for work asap

    Hi guys, I'm looking for someone who uses indesign regularly and is familiar with bleed lines, printing techniques etc



    I need an ebook made asap, after which i need a booklet as well - for print. My team member is MIA and I'm sitting with all this on my shoulders, not familiar with the software.



    anyone looking for some temp work for the next 4 weeks please write to gummybear008@gmail.com



    If you know Corel Draw 4, that's an advantage



    Thanks !
    Need Indesign user for work asap
    I'm going to leave this as read only. If anyone's interested contact the O/P directly.



    Bob

    Printing to Acrobat Pro 9

    I am having an issue where certain files will not print to Acrobat. It doesn't ask for a name, then appears to go through the process of creating a PDF but does not create one. I know you can export, which I am forced to do but it interferes with the workflow I've created for consistency.

    I am currently using IDCS4 %26amp; Acrobat Pro 9, but the same thing was happening with IDCS2.Printing to Acrobat Pro 9
    This even happens when I have an InDesign document that will print to Acrobat, but then does not when saved to a new file name or a new directory. All files use the same alpha-numeric naming convention, other files in the same directory will print to Acrobat. About 5% of the ID documents behave this way.

    Anyone have other suggestions that I can try? I think I have covered all the regular bases here.Printing to Acrobat Pro 9
    Sounds more like an Acrobat issue but why the print to PDF instead of
    export? I can't help since I don't remember the last time I even tried
    to print to PDF from InDesign.

    Bob
    You did leave out the fact that you're using Vista 64. %26lt;g%26gt;%26lt;br /%26gt;%26lt;br /%26gt;Bob
    Robert:

    I print to Acrobat because I can Ctrl-P, hit enter twice and have the file appear in Acrobat for sending to the client for approval by email. Way faster.

    Cricky you're fast. Yes I use Vista Ultimate 64bit, but that doesn't explain why only 5% of the documents behave this way.
    Have you tried to actually print those documents to a real printer?
    Could be something in the document causing a problem.

    But... no way I'd ever send a flattened PDF to a client for
    approval. Too many possible issues with flattening that could result in
    a less than stellar on screen preview.

    Fielding phone calls about those ''little white lines'' all over the place
    would drive me batty.


    Bob
    Rarely had that happen; one was solved by the client updating Adobe Reader, the other setting the flat panel to native resolution. Both pretty normal.

    They print just fine to my Phaser 8550 (full Adobe P3).
  • columnheader
  • Thick lines in screen view, HELP!

    There're some architectural plans embed and linked as eps in indesign and I'd like to convert to pdf. In Indesign High quality display mode, in a ''fit to windows zoom'' I see very smooth and thin lines and everything seems perfect. I convert that page in pdf but in zoom at the same level I see very thick lines! I know they just look like that because if I zoom them everything is as it should be but in an aerial view isn't properly rendered.

    Is there an option in the pdf conversion I should check? I can use both print pdf or export...

    Here is the 2 results compare:

    http://farm4.static.flickr.com/3646/3297308538_e02b798333_o.jpg

    let me know please!

    thanks!



    mz
    Thick lines in screen view, HELP!
    One post is enough for the question. I've started a response in the other thread.

    http://www.adobeforums.com/webx/.59b80360/0
  • new lipstick
  • Lines in pdf conversion look thick!

    It's an architectural plan linked as eps in indesign the one I'd like to convert to pdf. In Indesign High quality display mode, in a ''fit to windows zoom'' I see very smooth and thin lines and everything seems perfect. I convert that page in pdf but in zoom at the same level I see very thick lines! I know they just look like that because if I zoom them everything is as it should be but in an aerial view isn't properly rendered.

    Is there an option in the pdf conversion I should check? I can use both print pdf or export...

    Here are the 2 results compared:

    http://farm4.static.flickr.com/3646/3297308538_e02b798333_o.jpg

    let me know please!

    thanks!



    mz
    Lines in pdf conversion look thick!
    How does it print? PDF is often a little flaky about display of thin lines, in my experience, but they print fine.



    Does it make a difference if you open the .eps file in Illustrator and save as native .ai, then link that instead? I think I recall some previous discussions about line renderings from .eps files generated by some CAD programs.



    Peter
    Lines in pdf conversion look thick!
    If the lines are really too thick - as shown by zoom,

    where the linewidth grows proportionally - then the

    information is already in the PDF. Perhaps by applying

    'Fix Hairlines' in AcrobatPro.

    If the original vector lines in the EPS a very thin -

    which happens for instance by downscaling a technical

    drawing - then PostScript systems are handling this case

    like zero linewidth: the thinnest device pixel line is shown.

    In Acrobat use

    Edit %26gt; Preferences %26gt; Page Display %26gt; SmoothLineArt=Off

    The line is shown for all zoom factors by one-pixel

    rendering.

    For SmoothLineArt=On, the line looks considerably thicker,

    but the visual linewidth is still independent of the zoom

    factor.

    So far actually tested by CS2.



    I'm programming plenty graphics directly by PostScript as

    EPS', place in ID or PageMaker and export as PDF.

    It happened never that a sufficiently thick line was rendered

    thicker in the PDF.



    The remedy is IMO: use Fix Hairlines with a sufficiently large

    minimal linewidth, for instance 0.3 mm.



    Best regards --Gernot Hoffmann

    I have the same problem, I'm writing a document in Word using MathType and when I convert it to pdf here is the result

    http://img244.imageshack.us/img244/3213/probleeeem.jpg

    I converted those formulas to GIF format and its the same

    Aleks,



    It's not the same problem at all. The lines in the original post

    i appeared

    to be too thick -- and that's because they were drawn at the minimum thickness (1 pixel) on a zoomed out screen, and without using Acrobats advanced drawing settings. The original file

    i is

    actually perfectly allright -- as can be seen by zooming in and/or printing the file on a moderately high rez printer.



    Your problem is that the lines

    i are

    too thick. However ...



    %26gt;I'm writing a document in Word ...



    ... and this is a forum for Adobe InDesign ...

    Lighten up! :)



    Plenty of people write in Word and bring the result into ID, and I've seen quite a few threads about problems with equations and MathType.



    Granted this is a different problem and should be in its own thread, but there's no need to get grumpy.



    Aleks, try searching the forum for MathType and see what comes up.



    Peter

    Ow! -- so far me trying to bring it gently ...



    It also didn't help this seems a totally new problem...



    Aleks, try this: export one of the equations directly to EPS (I think I remember MT being able to do that) and distill it. Does it look the same, or better? Try opening the EPS with Illustrator -- does that help? Given the export to GIF did the same suggests an error inside MathType itself, and you possibly

    i might

    confirm or disprove this.

    I just saw that this is InDesign subforum :) Sorry



    Exporting to EPS helps, lines are still thick but much less, thanks jongware, seems that problem is with MT.

    My workflow for equations is Word %26gt; Mathtype (fix as needed) and save

    standalone file for future corrections %26gt; copy and paste to Illustrator,

    save as AI %26gt; Place in Indesign.



    This has solved a number of problems for me, and I've published

    thousands of equations this way.



    --

    Kenneth Benson

    Pegasus Type, Inc.

    www.pegtype.com

    Conditional text not updating

    I have some conditional text on master pages for a large book (I'm working on 64 variations of a single document and have put frequently-used text and images as conditional text so I can show or hide it as needed in each variation).



    My problem is that when I click the visibility box in a document, sometimes the conditional text updates and sometimes it doesn't. For example, I might deselect the visibility box for a piece of text and the text will stay visible. Generally if I toggle the visibility box for another condition, the unchanging item will update.



    Is there any way to force all conditional text in a document to update? I hate having to double check that my conditions are being obeyed.
    Conditional text not updating
    I don't have an answer for your question, but before deciding if this is a bug, should it come down to that, you should try a couple of trouble-shooting steps.



    First, does this happen in more than one document? If so, does it NOT happen in any document you've created so far?



    If you move the document to a new computer, does it continue to have a problem?



    If you export a problem document to .inx or .idml, and open those, do they also exhibit the problem? If you open the .inx or .idml files on another computer, do they have the problem.



    That set of tests is designed to isolate whether the issue is document specific or related to your installation and might be fixable by you.



    Peter
    Conditional text not updating
    Answering your questions:



    1) Every document that uses these master pages has this problem (so far as I can tell).



    2) The problem persists on another computer.



    3) Exporting to .inx and importing doesn't solve the problem. In fact, the imported document has an item showing even though its visibility box is deselected (toggling the visibility box fixes the problem).



    Any other suggestions?

    Another bit of info -- I've discovered that no matter what the synchronize settings for visibility are, synchronizing a book with conditional text on the master page gives every book master pages that look like the master file. Visibility settings have to be toggled before they are applied.

    CS4 - Missing hyperlinks in SWF

    Hi,



    I have created a catalogue via XML with each product having a link back to the website. Outputting via PDF all works well, BUT when this is exported as an SWF file none of the links work. The pointer turns to a finger to indicate an interaction but the clickable link doesn't work.



    Ideally I would like to use XFL and Flash, but the thought of recoding several hundreds of links leaves me cold.



    As far as I can see all transparencies are off which I believe can be an issue.



    Anybody got any ideas where I have gone wrong?



    Thanks

    Kevin



    Id CS4, Vista Business, Core2 Duo 2.66 3gb ram
    CS4 - Missing hyperlinks in SWF
    have you tried to upload you swf to server and test hyperlinks after that (with web browser), due the security settings, hyperlinks usually doesnt work if you open swf locally
    CS4 - Missing hyperlinks in SWF
    Hi Petteri,



    Thanks that works. Thought I was going mad!



    Kevin

    Pathfinder problems... CS4 (just...

    There seems to be some shift in the function of the pathfinders. It only seems to work for me about half the time, other times it wont do the simplest things and spits out the message ''Could not complete operation. Pathfinder result describes empty region.''

    Here's what it's doing at the moment:

    I have a circle with a rectangle overlapping part of it.
    Add: Error
    Subtract: works just fine
    Intersect: Error
    Exclude Overlap: Error
    Minus Back: Error

    The objects are on the same layer. The objects were created with the circle and box tools (so the shapes are closed. Both shapes have solid fills using the same color model.

    What gives? Is there a difference in the way it functions? Or has my software gone screwy?

    Thanks!
    -TedPathfinder problems... CS4 (just...
    Works fine here. Are both objects selected? If that's a yes, trash your prefs.Pathfinder problems... CS4 (just...
    There's a bug somewhere and I have seen it. I think it was Dave who
    pointed out that it only happens in longer document after a certain page.

    It's annoying for sure.

    Bob
    Are you saying the pathfinder fails in long docs?
    Only after after a certain number of pages. Like I said, I don't
    remember but I have seen the error and just copying the objects to a new
    file was enough to get it to work.

    Bob
    I read somewhere and repeated it here that it only works on the first 12 pages of a long document, but I have since discovered that this is not true. I have not been able to make it work at all on some of my long documents.

    Dave
    I have had the problem a number of times, now I'll try to track some doc specs when it occurs. Though fwiw, I have been working in docs over 12 pages

    Copying the objects to a new doc did work, so that's a work around for the moment anyhow. Annoying...

    Now off to the photoshop forum and the disappearing tool shape/outline issue...

    :p
    -Ted

    Don't get me wrong though--CS4 has many nice new things that make it well worth the price of admission.

    See this thread: http://forums.adobe.com/message/1287774

  • hair coloring
  • problems with Photoshop Alpha Channels

    Hi all



    Got a job where I want to use alpha channels to cut-out some images in Photoshop and then put them into an ID frame with a black background. Want to use alpha channels rather than a clipping path as I need the edges to be feathered (have applied 2 pixels of feathering to the selection in Photoshop before saving it).



    When I do this and drop it into Quark it looks good but when these images are dropped into ID and then the alpha channel is turned on, with the default Threshold and Tolerance settings, it doesn't look good. It looks like a rough approximation of my alpha channel, all the fiddly bits and bezier curves in the selection have been smoothed out and the feathering has gone. Playing with the settings doesn't really seems to help either. If I turn on the alpha channel in the import options when importing then it comes in as expected but I have quite a few images already in the document that I need to turn on the alpha channels for.



    Both PS and ID are CS3. I've tried saving the images both as PSD and tif. Anyone got any ideas? Seems odd that when I import an image with the channel on I can't go to the clipping options and tweak the settings.



    thanks,

    Iain
    problems with Photoshop Alpha Channels
    Do you have high quality display enabled?



    Bob
    problems with Photoshop Alpha Channels
    Yes (sorry, meant to say that).

    Wait a minute...you're using the alpha channel as a clipping path? Why?



    Clipping paths are hard edged, not feathered. Just save the PSD with a

    transparent background and place that.



    Bob

    Thanks for your reply Bob. I've confused things with my terminology I think. We're drawing a path round the image, using bezier curves where appropriate, making that work path a selection (feathering the edge in the process) and then saving the selection (as an alpha channel) and then using the feathered alpha channel in Quark/ID to knock-out the background. Not keen on using a PSD with a transparent background at the moment as these are just test files while we show the customer what it will look like if we do cut-outs. We are making a couple of different alpha channels per image, with different settings, which would mean multiple files if we used your method I think. Maybe once we get the approval from the customer we could use PSDs as you describe but I was just wondering why the options for affecting alpha channels after importing the image aren't working as I expected.



    Iain

    If you want a feathered edge you can't use a clipping path.



    It sounds to me like you're still stuck using Quark methods. That's like

    trying to fit Chevy parts in a Honda.



    Bob

    It's not really a clipping path, it's an alpha channel and it does work as expected *providing you turn on the alpha channel during the import process*. But what I wanted to know was how can I 'turn on' an alpha channel in a series of images that are already on the page without it making a pig's ear of it.

    %26gt;That's like trying to fit Chevy parts in a Honda.%26lt;br /%26gt;%26lt;br /%26gt;No, he gave a Honda part number:%26lt;br /%26gt;%26lt;br /%26gt;A selection made from a clipping path is just a selection like any other.%26lt;br /%26gt;%26lt;br /%26gt;It seems as though you just want to bash Chevy. %26lt;G%26gt;%26lt;br /%26gt;%26lt;br /%26gt;Al
    He's trying to get a clipping path to behave like an feathered selection.



    Bob

    That's not really the issue. My selection started as a path, yes, but is a feathered alpha channel long before it gets to ID. My question was why does the post-import alpha channel options make the it look so bad.



    Anyway, Honda's always work. Everyone knows that!

    Because your treating it as a clipping path.



    Do yourself a favor and hit F1 and search for alpha channel.



    Bob

    Yes, I suppose that's what it is saying - accessing your alpha channel through the Object%26gt;Clipping Path menu means it will get treated like a clipping path. Okay then - the question I should have asked - is there any way to turn on teh alpha channel once it has been imported *and keep it treated as an alpha channel? I suspect I know the answer to this one!

    Read post three.



    Bob

    With respect that doesn't really answer my question and in post 4 I say why I'd rather not use that method for this particular task. Although I appreciate it does work, it doesn't help me in my current predicament. If I can't make the existing imported pics work I'll just reimport them with the alpha channel turned on (which will work as expected) rather than have to go back to Photoshop and then have to reimport them or update them.



    Thank you anyway.

    You can access the alpha channels by selecting the link in the links panel and choosing re-link. You'll need to check the show import options box -- at least on my system holding the shift key while you say OK doesn't seem to be invoking the options dialog.



    Peter

    Thanks for your reply Peter, that sounds like a good workaround. Unfortunately the Show Options checkbox is greyed out when I try to relink a file, even if the box was checked last time I imported something. Any thoughts?



    Iain

    What format are you saving the images in?

    Peter - the box is greyed out when trying to relink both PSD and tif files.

    What about when you try to place a new file?



    You might want to try backing up your ID preferences and letting ID generate a fresh set to see if that helps.

    Trashing the preferences did it. Thanks Peter.

    welcome.

    Black pages; overlap on spine

    Probably my terminology will not be accurate, but I hope I will be able to communicate my question.



    I want to have black pages on some spreads so I made a master page and used the rectangular frame tool to make a rectangle on the master; then filled it black. I did the same for the opposite page in the spread.



    How much overlap do I need in the middle so when it's printed white wont show? If I have the black frame go to the middle, the spine, is that sufficient?



    Bob
    Black pages; overlap on spine
    It depends on the binding method.



    This has been thoroughly discussed a number of times, and a search for ''bleed at spine'' will bring it all to light.



    While you're at it, try searching for ''rich black'' to see if you can learn anything about the differences between a solid 100% K black and one made from four colors, and why you would want one in some cases, and the other at other times.



    Peter
    Black pages; overlap on spine
    My apologies; I should have searched before asking.



    Thank you for you suggestion on rich black; there is a lot I need to learn.



    vasi
  • new lipstick
  • More help with GREP needed

    I have been attempting to create some nested styles.



    So far, I am getting the hang of it.



    I have created a grep style that will make all text after the word ''NOTE: '' into italic. Also, I have grep style that makes all text that is ''FIGURE +\d+\d'' into bold text.



    The problem I have is that if the word ''FIGURE '' etc. is in the italicized note text, then it will not become bold.



    For example: ''Operate the switch to begin the process (FIGURE 3-3). Make sure guards are closed (refer to FIGURE 3-1).''



    That works fine, and ''FIGURE '' is bold. However, when I change the sentence by adding ''NOTE: Make sure guards... '' it all becomes italic, and I loose the bold on ''FIGURE 3-1''



    So, is there a way to augment my italic grep with some kind of inclusion... as if I were saying ''if ''FIGURE +\d+\d'' make that is bold italic''



    sorry for the long-winded attempt to describe what I want to do.



    Thanks in advance for help.



    RPP
    More help with GREP needed
    (Trying to work it out in my head:) Alas -- I see no way of doing it with a GREP style

    i alone.



    It is possible to find ''FIGURE'' in any paragraph somewhere after ''NOTE'' (a simple ''NOTE.*FIGURE\s\d+'') but you cannot isolate just the ''FIGURE'' text to specify bold italic.



    (Tried it.) wait a minute ... No, you cannot specify ''the text FIGURE in italics'', as you can in regular GREP Find.
    More help with GREP needed
    I'm still fairly new and clueless with GREP and particularly with GREP styles. Could this be done with TWO GREP styles in the proper order, i.e. do the italics first, then do the bold?



    Peter

    No. There seems no way to distinguish between occurrances of ''FIGURE''

    i before

    and

    i after

    the text ''NOTE''.



    The 'after' case can be found with Find using ''NOTE.*FIGURE'', but you cannot use this in the GREP style -- it would apply the style to the entire found string. You cannot use Look Behind (i.e., 'finding FIGURE with preceding NOTE') because you need wildcards inbetween, and those do not work in combination with Look Behind. And if you

    i could

    somehow evade these problems, the search ''NOTE (anything) FIGURE'' will only find one single occurrance of 'FIGURE'.



    I did some quick tests, the only way I found is to insert an invisible unique character in the 2nd FIGURE texts. So I inserted a No-Joiner ('no joy') after the 'F', and the GREP style



    %26gt;F~qIGURE\w\d+(-\d+)*



    picked it up for the 2nd round of styling. Then again, if you are adjusting by hand, you might as well apply the formatting by hand.

    what if you duplicate your FIGURE grep rule and set it to work on italicized text only ?



    so you will have 3 GREP rules:

    1) FIGURE_bold - should be run first

    2) NOTE - will set to italic

    3) FIGURE_bold_italic - set to work only on italicized text and set bold+italic



    robin



    --

    www.adobescripts.com

    Sorry, Robin,



    %26gt;wait a minute ... No, you cannot specify ''the text FIGURE in italics'', as you can in regular GREP Find.



    -- you can specify just a GREP rule and a character style to use. No formatting in the GREP rule allowed.

    so ... your InDesign is broken ;)

    because when I run GREP rule - in ID CS3 and ID CS4 - with option to replace only on italicized - as local formatting - texts ... it works fine :)



    EDIT1: and works fine on texts modified by NestedStyles

    EDIT2: and you can save this rule for later use ...



    robin



    --

    www.adobescripts.com

    You probably want the note to be italic only when the paragraph starts with NOTE: -- correct? If that is so, apply your italic style to

    %26gt;^NOTE:.+



    (The ^ means ''beginning of paragraph.)



    Robin: you're talking about the Find?Change dialog, R. Pollack and Jongware talk about nested GREP styles, in which you cannot specify formats for searching.



    Peter

    thanks Peter, my fault, sorry :(



    I need to read more about CS4 ;)



    robin



    --

    www.adobescripts.com

    Robin,



    %26gt;GREP rule - in ID CS3 and ID CS4



    is where you got sidetracked ;-)



    Peter, it's a bit more complicated than that. The OP wants everything

    i after

    a ''NOTE'' italicized until the end of paragraph. That's what the GREP rule



    %26gt;NOTE.*$



    does (anywhere, not just at the start of a paragraph). However, both before and after the NOTE, there might be ''FIGURE xx'', and he wants these bold in the regular text and bold italic after the NOTE text. I can see no way of isolating FIGURE 'somewhere after a NOTE', neither a single one nor all of them. The GREP rules apply to

    i all

    occurrences of ''FIGURE''.

    I want to thank those who responded to my question.



    I am just learning, attempting, to create some nested styles.



    I can see that to have one style over-ride another is not possible in this fashion.



    I am fine with the ''Note: '' part being italic and having to manually bold the ''FIGURE XX'' if it should fall within a noted sentence. That will require a manual over-ride. I am now only concerned with whether or not over-rides of any type are maintained as long as the over-ride is not cleared. Or will the GREP clear all over-rides when I build a book and synchronize styles.



    I will have to test this in all my nested styles.



    Thanks again to all who responded.



    RPP

    jong,



    You're right, I misread RPP's post.



    RPP,



    I think that what you want can be done as follows. Given this paragraph:

    %26gt;Operate the switch to begin the process (FIGURE 3-3). NOTE: Make sure guards are closed (refer to FIGURE 3-1).



    and two character styles, ''bold'' and ''italic'', add two nested GREP styles:



    Apply ''italic'' to (?%26lt;=NOTE:\s).+

    Apply ''bold'' to FIGURE\s[-\d]+



    Italic is applied to everything following NOTE: (but NOTE: is not italicised), bold is applied to FIGURE followed by any sequence of digits and hyphens.



    It is important that the GREP styles are applied in this order. Reverse the order in this example and it won't work. Also note that character styles applied by GREP styles don't cancel each other out, as they do when applied straight from the character style panel.



    Peter

    Which is what I thought I was suggesting in post 2. :)



    Peter S

    So you did!

    I'd love to say ''great minds think alike,'' but I doubt mine's in the same class as yours. Must be the name. :)

    Granted, it solves one half of the problem. But I see no way to achieve the OP's request of making them bold italic.

    Ah yes, Bold and Italic at the same time. Can one search for styles in a grep style? Then you could search for italics, a bold figure, followed by italics, and change that to a third, bold italic character style.



    Perhaps this could be done at the end with a regular find/change?

    Hello folks,



    I got close! I couldn't make GREP do it. But, what do you think of this nested-style-only solution?



    None through 1 (

    Bold up to 1 )

    None up to 1 N(

    Italic up to 1 (

    Italic through 1 (

    Italic through 2 Words

    BoldItalic up to 1 )

    Italic through 1 )

    None through 1 Forced Line Break



    Mike Witherell in Maryland

    PostScript: GREP styles seem to trump nested styles? Would that be a valid observation?

    Um, perhaps I should have said Nested styles appear to trump GREP styles!

    Here is a GREP style solution that appears to work:



    Apply Style: Bold

    To Text: negative lookbehind=to\s(FIGURE\s[-\d]+)



    Apply Style: BoldItalic

    To Text: positive lookbehind=to\s(FIGURE\s[-\d]+)



    Apply Style: Italic

    To Text: (positive lookbehind=:).+(positive lookahead=\()



    Mike Witherell in Maryland

    Oops! This one is better!



    Here is a GREP style solution that appears to work better:



    Apply Style: Bold

    To Text: negative lookbehind=to\s(FIGURE\s[-\d]+)



    Apply Style: Italic

    To Text: (positive lookbehind=:).+(positive lookahead=\F)



    Apply Style: BoldItalic

    To Text: positive lookbehind=to\s(FIGURE\s[-\d]+)



    Apply Style: Italic

    To Text: \)(?=\.\r



    Perfect!!

    (Man, this is addictive!!)



    Mike Witherell in Maryland

    Mike, I'm having a hard time getting

    i any

    results at all. Perhaps that's because copying



    %26gt;negative lookbehind=to\s(FIGURE\s[-\d]+)



    into the To Text field does nothing. I tried with the Negative lookbehind marker



    %26gt;(?%26lt;!to\s(FIGURE\s[-\d]+))



    (and adding an extra parenthesis), but no luck. Same goes for the other expressions.

    Jongware,



    I wrote negative lookbehind and positive lookahead so it wouldn't foul up on display in this forum. Maybe if I use html special characters as I type this, it will display.



    Looks to me like you should move the parenthesis to write this way:



    (?%26lt;!to\s)(FIGURE\s[-\d]+)



    Best to you,



    Mike Witherell in Alexandria, VA

    OK, using html special character codes allow me to write complex GREP stuff into the Message window!



    Mike

    Wow, Thanks for all the responsed.



    I will give this a try tonight and let you all know how it works out.



    Thanks again.



    RPP

    Mike,



    I am just learning and trying to get the hang of this ''magic.''



    Here is what I have right now:



    Apply Style: BOLD UPPER

    To Text: figure \d+~~+\d



    Apply Style: BOLD UPPER

    To Text: FIGURE \d+~~+\d



    Apply Style: ITALIC

    To Text: NOTE:.*$



    This works ok, except when the ''FIGURE 3-2X'' falls inside of the noted text. I do not quite understand the ''positive lookbehind'' and ''negative lookahead''



    It seems like what I need is something like:



    Apply Style: BOLD ITALIC UPPER

    To Text: (ok, here's where I'm stuck)



    as if to say... when you get to the end of the paragraph, work backwards, and if you get to ''FIGURE 3-24'' and it is italic, make it BOLD ITALIC UPPER.



    Suppose I have a paragraph that reads something like this:



    ''Look at FIGURE 3-24 (BOLD UPPER). NOTE: Refer to FIGURE 3-27 for additional information'' [where ''NOTE:... is italic, and FIGURE 3-27 contained within the italic sentence is italic but needs to be (BOLD ITALIC UPPER)].



    Thanks for you info. And by the way, I have downloaded your GREP list info from your web site and it is extremely helpful in trying to learn this ''magic.''



    RPP

    RPP,



    The trouble is that in GREP style you can find text but not formatting, so you can't say something like ''find FIGURE only when it's italic''. In the Find/Change dialog you can, but in GREP styles you can't.



    You also can't say ''look for FIGURE if it's preceded by NOTE: and any characters in between''. Unfortunately, lookbehind can't cope with variable-length text. So if you always have ''NOTE: Refer to FIGURE ...'', then you can use lookbehind and you set-up would be this:



    apply italic to FIGURE [-\d]+

    apply bold to NOTE:.+

    apply bold-italic to (?%26lt;=NOTE: Refer to )FIGURE [-\d]+



    The first parenthetical is a lookbehind: in this case, FIGURE looks behind, meaning you find FIGURE only when it's preceded by ''Note: Refer to'', which is not matched itself. So bold italics would be applied only to FIGURE [-\d]+, and only when preceded by ...



    But you're not likely to have such fixed text. When you have just a few alternatives, you can list them as alternatives, so if you always have ''Note: Refer to '' or ''NOTE: See '' you could salvage your set-up, but with more than let's say three alternatives it gets messy.



    (?%26lt;=NOTE:.+? )FIGURE [-\d]+ , which you would hope would match any text from NOTE: to FIGURE, doesn't work as a lookbehind.



    Peter

    Hey RPollack,



    I would like to take the occasion to beg you to not overdress the text. I am a big fan of minimal seasoning on the typesetting. Keep that in mind, won't you? Sometimes a change of one's mind is the answer.



    Mike Witherell in Alexandria, VA

    MIke,



    I understand what you mean. We write operator manuals for equipment. We use very little variations: Body, Bullets. FIGURE numbers bold-upper. Notes italic. That's pretty much it.



    It is rare that we would have ''FIGURE'' inside a ''notes'' sentence. And even more rare that I would have a paragraph with FIGURE in the first sentence of the paragraph, with a follow up FIGURE reference in a ''Note:'' sentence at the end of the paragraph.



    I was just trying to cover those instances, if it is possible. If not, I can override those few instances.



    I have noticed that I set up my grep style for ''FIGURE'' numbers differently than you and Peter (in previous post). I have to study the differences. Did I do it wrong? It seems to work.



    Thanks so much for all the suggestions.



    RPP

    RPP,



    Your GREP FIGURE +\d+\d works (or seems to work) in that it finds FIGURE followed by one or more spaces ( +) followed by one or more digits (\d+) followed by one digit (\d). It would therefore not match FIGURE 2-3, but it would match FIGURE 2. Your GREP style would therefore apply the character style to only part of what you were hoing to match.



    The GREP that Mike gave, FIGURE [-\d]+ , matches FIGURE followed by any sequence of digits and hyphens -- so it would match FIGURE 2-3.



    Peter